Over the weekend I had the pleasure of watching La Grande Bellezza (The Great Beauty), an epic Italian film in the style of Fellini’s La Dolce Vita, but with more cinematic greatness achieved by the advances in technology since the 1960s as well as a more existential examination of life. It was truly captivating and I am planning on a second viewing next week as the MFAH is bringing it back for an encore. Since I saw it, it has won a Golden Globe for the Best Foreign Language Film, something it truly deserves.
There are lots of scenes of Jep, the protagonist, sitting and staring out at his view of the Coliseum from the patio, smoking a cigarette in his apartment, or talking with his housekeeper. He has a life of leisure comprised of wild parties and social events, punctuated by moments of intense introspection and reflection on his life, what has happened, and what it all means.
Because these moments were part of a gloriously beautiful film, the scenery and lighting were not something I could relate to in the day-to-day playback of my own life.